![]() Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. Engaged with diverse contexts and disciplinary perspectives that informed a frequently technical yet cosmopolitan account of Western music and its signal developments, Weber’s music study explored how a sociology of music could be productively founded and what it might aspire to become. Correspondingly, the music study avidly pursued cross-cultural perspectives, a prominent concern for Weber in the aftermath of critical reception to The Protestant Ethic and the Spirit of Capitalism and for which music had become a touchstone in contemporary scholarly and scientific domains. As with his earlier study of capitalism, Weber sought to trace the origins and development of a distinctive cultural product, occidental harmony, that revealed a complex interaction between rational processes both internal to the art and in counterpoint with varied social and historical contexts. A lifelong personal passion, music became the subject of a singularly ambitious study in the final decade of his life, resulting in an unfinished monograph, Zur Musiksoziologie ( The Rational and Social Foundations of Music ), begun in 1912–1913 and published posthumously in 1921, raising key issues to which Weber returned in other writings. ![]() No art form drew closer or more sustained attention from Max Weber than music. ![]()
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